Today I listened a couple of times to Beethoven's set of 32 Variations in C minor, WoO 80, a composition of 1806 (from the time of Symphony nr. 4). First Gilels on LP (1968, part of the Szell concerto set), then, twice, Buchbinder on CD. It helps to have a little guide on hand to follow the proceedings.
The Gilels reading I found unsubtle and uneven.The transitions between the fast, loud variations and the more subdued ones are often ragged, giving the whole thing an air of vulgarity. Buchbinder presents a much more groomed and compelling whole. The CD recording (a Teldec budget re-issue mixing a Haydn sonata with some Beethoven trifles) is very clear and suitably weighty too.
I have very few recordings of Buchbinder in my collection. Whilst he has an impressive discography and works intensively with the most prestigious orchestras, he does not seem to enjoy a genuine star status. Nevertheless, the concert I heard him give many years ago in the Vienna Konzerthaus, playing the three last Beethoven sonatas in a row - without a pause - is no doubt one of the most compelling musical experiences I have ever had: an hour-long exalted communion with 2000 other kindred souls.
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